Search Antique Clocks
Showing 101–120
of 1,230 clocks
type Longcase
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Scottish tall clock, 8 day, time and bell strike, weight driven movement in a mahogany and mahogany veneer case with flat top hood, reeded columns on trunk and hood and painted metal dial, c1820 -
Robert Welsh, Dalkeith, Scotland tall clock, 8 day, time and bell strike, weight driven movement in an earlier Chinoiserie decorated case with gold stenciled sides and engraved brass dial with brass spandrels and boss with maker's signature and location, c1770 -
English, triple fusee movement, quarter chiming on choice of 8-bells or 5 tubular bells, now in a well constructed case of the same period, with hand carved decorations, purpose made to fit in a room corner of a home near Bath, all parts, c1910, the dial signed W. W. Kemp and Co., Bristol. -
Tall clock case only, English made of pine with bell top hood inset with round glass in trunk door with spear point strap hinges, c1740 -
Herschede Clock Co., Cincinnati, Ohio, "Pattern No. 310", 5 tube hall clock, 8 day, time, strike and chime, three weight driven movement playing Westminster tune in a mahogany case with reeded full columns on sides, bun feet and three glass trunk. The silvered dial has applied brass Arabic numerals, and engraving, c1920 -
Herschede Hall Clock Co., Cincinnati OH, "Model 10" grandmother clock, 8 day, time, strike and Westminster chime on gong, spring driven movement with pendulum in a walnut case with silvered metal dial, c1920 -
McLachlan, Glasgow, Scotland, tall clock, 8 day, time and bell strike, weight driven movement in a mahogany case with flat top hood and painted iron dial with portraits of women from the different domains of Great Britain surmounted by Queen Victoria in the arch, c1850 -
Dial signed: Joseph Fordham, Braintree, England tall clock, 30 hour, time and bell strike, one weight driven movement with endless rope winding, now in a Bombay style highly figured crotch walnut veneer case with heavy walnut banding around trunk exterior and base. The one handed brass dial signed "Jos. Fordham Braintree" has applied brass corner spandrels and English crown and cherub spandrel in arch, c1730 -
Jared Arnold, Amber NY, mahogany, 8 day, time and strike, weight driven floor clock, converted from shelf clock, c1832 -
Riley Whiting, Winchester, Conn., wooden works tall clock, 30 hour, time and strike weight driven movement in a pine case with painted wooden dial, c1825 -
James Wilson, Hawick, Scotland, tall clock, 8 day, time and bell strike, weight driven movement in an oak case with rope turned columns and applied bracket base and painted iron dial, c1800 movement and dial -
English tall clock parts lot with painted iron square dial and brass movement in pieces -
Austrian, floor clock or Bodenstanduhr, now with longer running, 3-wt Grand Sonnerie, with seconds hand and central calendar, the dial signed Johann Nellich in Wien, in a 6- light case of provincial origin, with meter length grid pendulum, c1800 -
Silas Hoadley, Plymouth, Conn., tall clock, 8 day, time and bell strike, weight driven wooden works movement in a pine case with painted wood dial, c1815 -
E. Howard & Co., Boston, "No. 61" astronomical regulator, the renaissance revival style case with molded stepped base and burl veneered panels to the front and sides, and with cyma and cavetto molded top, supporting the upper case with glazed door and sides, the door with applied, stylized Grecian foliate carvings, and simple eight lobe roundels, arched cornice molding surmounted by a broken pitched pediment with central urn and laurel festoon, and the corners with stylized palmette form acroterion angularium above stylized, flattened volutes, door glass with reverse painted and gilded "W. A. Robertson Standard Time", silvered astrnomical dial signed "E. Howard & Co. Boston, Mass.", blued steel hands, damascened brass week going movement with jewelled pallets, mercury pendulum with four nickel plated steel jars, brass frame, and nickel plated rod, silvered beat scale, brass clad weight, and heavy cast iron bracket attached to the case back, supporting both the pendulum and the movement -
Howard & Davis, Boston, Mass., a rare astronomical standing regulator, walnut, rosewood and rosewood veneer drumhead case, the base with turned, quarter round bead moldings framing recessed panels at the front and sides, and finished with a deep cavetto molding transitioning to the trunk, the trunk door with arched, crossbanded opening for viewing the weight and pendulum, and flanked by two narrow faux panels with crossbanded surround, the case sides also with glazed, arched windows, and surmounted by a cavetto molding below an incurved transition piece with conforming, molded panel, and supporting the drumhead with turned, molded door before the silvered brass dial, signed "Gifford, Estes & Co.", and "Howard & Davis Manufacturers, Boston", blued steel hands, large 8 day, weight driven timepiece movement with brass counterpoise for minute hand, jewelled pallets, pallet arbor, and escape wheel, and having adjustable steel endpieces throughout, brass weight with lyre form pulley, mercury pendulum with steel rod and decorative steel components, and blue cased glass jar with elongated, oblong clear cut panels, and with silvered beat scale, all before a mirrored case back, catching and reflecting light, and enhancing the decorative aspects of the various components -
James Arthur, New York, an unusual drumhead regulator made as a wedding gift for his daughter, Bessie Humphrey Arthur, the mahogany case with glazed base and trunk, the glasses surrounded by half round moldings with decorative brass nails, and with applied, cast brass ornaments, decorative latches and hinges, the signed and dated timepiece movement with damascened, skeletonized brass plates and boxwood wheels, and visible through the trunk door, a bevel geared linkage extending into the drumhead top and driving the motion work, the seatboard with engraved presentation plaque, "Bessie Humphrey Arthur from her father James Arthur October 25th 1904", the movement driven by two reeded brass weights, with heavy brass disc pendulum decorated with turned, concentric beads, and the two piece wooden rod with beat adjustment device, all components reflected in the mirrored case back, silvered dial with pierced arabic numerals and minute markers, and blued steel hands of Arthur's design, together with a copy of Hering's "The Lure of the Clock", which documents the Arthur collection and his thoughts on clockmaking. -
Simon Willard, Roxbury, Mass., tall clock, 8 day, time and strike, weight driven movement in typical Roxbury style mahogany case with three brass finials including center eagle finial, fretted crest, stop fluted full columns with brass capitals flanking hood and trunk doors resting on ogee bracket base. The painted metal 12-in dial by Wilson of Birmingham as found on many Willard clocks of this period is signed "Simon Willard" in script has seconds bit, calendar and scene of woman dancing in arch. -
Seth Thomas Clock Co., Thomaston, Conn, "Regulator No. 15", standing jeweler's regulator, 8 day, time only, nickel plated weight driven movement, mercury pendulum with thumbprint glass jar in walnut case with burl walnut highlights and hinged storage in base with silvered dial and center sweep seconds hand -
Nicholas Blaisdell, Amesbury, Mass., 30 hour, time and strike, weight driven brass movement in a rustic soft wood case. The brass dial has a pewter chapter ring, calendar aperture, cast brass spandrels and pewter boss with maker's name engraved.